San Francisco's Mexican Museum curator David de la Torre told the San Francisco Gate why he believes the tradition endures. La Catrina is now a folk figure in the culture. La Catrina is the 19th century creation of printmaker Jose Guadalupe Posada who produced several pieces featuring a posh, money-ed skeleton lady. If you were to YouTube search a "Day Of The Dead makeup tutorial," you'd likely pull up step-by-step instructions on how to create a La Catrina look. Watch the making-of video below, and then read on to find out how accurate Spectre is in its depiction of Mexico City's Day Of The Dead Festival. The festival can take many forms and means different things to different people, but there are some constants. I was curious to know if this is what a Day Of The Dead celebration in Mexico City really looks like, so I did some research on the traditions involved. Aside from the carefully orchestrated tussling between Craig and the villains, you can see that the sequence will include a full-scale parade with altars, floats, and costumed extras. The official Spectre account shared the making-of video below to give audiences a taste of what they'll see first when the movie opens in theaters on Nov 6. But since a James Bond movie is about as far from a documentary as a movie can be, just how many artistic liberties did this film take to add scope and visual interest to the scene? What actually happens Day Of The Dead, and does Spectre stay true to the events? In true Bond fashion, the production cut no corners in composing an incredibly colorful and intricate celebration to serve as the scene's backdrop. Daniel Craig's fourth go at slipping into Bond's Aston Martin commences with a huge set piece: a mid-air fight scene on a helicopter flying over Mexico City's Day Of The Dead festival ( Día de Muertos). Fortunately, Spectre doesn't have that problem. What's a James Bond film without a breathless and elaborate opening sequence? It's a tragic waste of the 007 code name, is what it is.
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